More Welta Belmira shots

Here are some more shots taken with the Welta Belmira camera & Fuji Reala 100 :)

Magic DDR Cameras #4: Welta Belmira

Here's the 4th review about a "magic DDR camera", this time the "Welta Belmira" or also known as "Belca Belmira". In fact the camera was first produced by the" VEB Belca Werk" from 1953 to 1958 and then, after the integration in a new industrial structure, was continued by the "Welta Kamera-Werk Freital". Both entreprises came from Dresden, and were founded before the 1st world war and were re-organized after the 2nd war by the new DDR socialist régime. Welta itself was integrated in the VEB Pentacon after 1964... If you're a bit lost in the complicated history of the DDR potographic industry, have a look at this very complete page of the Dresdner Kameras website. Here's the camera:





Like many of the DDR cameras, the Belmira has this fantastic "Carl Zeiss Iena" Tessar lens (2,8/50mm) well known for her great optical qualities. Openig from 2,8 to 16, the shutter speeds are set from 1/250s to 1s and "B". The sound of the mechanism is really limited, allowing discreet shooting.It was surely this aspect who decided me to buy this camera, but not only. Another point shared with many DDR cameras is the design, a very futuristic and unusual one and with some very cool aspects that simplify the shooting.
First surprising thing is that the viewfinder is completely on the right of the camera (perfect for left-eyed photographers) and the reloading of the film on the opposite left side. A clever "push-button" system gives you the possibility to reload for the next shot with your thumb very easily and very quickly! And the shutter has also an unusual position as he his on the camera body under the viewfinder, but it's a very natural position for your finger and makes the camera easy to hold.
Then, it's a rangefinder, that means that when you're focusing you can see by a "double image system" the focus on what you're shooting. The little window above the lens has a small coupled mirror, reflecting on the inside of the viewfinder and giving you an image of what the lens and your eye can see. Even if the viewfinder isn't very clear (yellow tinted window that became a bit dark with the time...) the size is big enough to have an idea of what you're shooting.
And finally, what I really appreciate on this camera is the overall view of the commands and the very smooth use of the rings. The focusing ring has little crancks for your fingers to find the good position (from 0,8 to infinity) and the aperture ring has clear positions and even "mid-positions". Only the shutter speed ring is on the front of the lens, perhaps a bit less easy to use while shooting...
All these things made that I really liked this camera at the first sight and the first roll I made was a real pleasure to shoot!
Here are some first samples of pictures made with the Welta Belmira,(more to come soon :)







If you want to know more about that camera, have a look at alf sigaros flickr (with many other camera descriptions), or at the
Lippisches Kamera Museum, the
Lydrup's collection or some basic informations and links (but in english!) on Camerapedia .

Magic DDR Cameras #3: Beirette VSN/Beroquick KB135

3rd part of my DDR-cameras review, this time about a much cheaper one, but with still this special "taste" of the former east-german optical industry: the Beirette, produced by Beier from 1974 to 1990 with many different variations and names. To add a litle bit confusion, most of the models produced since 1958 have the same name, simply "Beirette".... to understand why, let's make a little bit history about the Beier factory.

"Beier Kameraindustrie" was created 1923 near of Dresden (Freital) and made several box and folding cameras. After the 2nd world war the whole factory was dismantled by the Soviets and the remaining workers tried to make again some cameras with what was left. 1949 the "Kamerafabrik Woldemar Beier" was born again and could produce the Beirax II camera, folding camera inspired by the pre-war models. Unfortunately, Woldemar Beier died 1957 and the east german state took the control of the factory, and finally integrated it 1972 in the VEB Kamerawerk Freital (VEB stands for "Volkseigener Betrieb", that means that the factory belongs to the People, i.e. the socialist state...).

So, this little historical point to explain that the "socialist era" of Beier began really 1958, and that they turned into a "standardized mass production" of almost the same Beirette cameras from the 1970's to the end of the factory 1990. The first Beirette of this standard production was introduced 1974 and became later on the Beirette VSN or, for the export version, the Beroquick KB135 (which is the one I have):




This camera has a Meritar 2,8/45 lens with only 4 speeds (1/125, 1/60, 1/30 and B) and 7 different diaphragm settings from 2,8 to 22. The focus ring is on the front and goes from 0,6m with precise positions until 2m (0,7-0,8-0,9-1,2-1,5m) and then 3-5-10m to infinity. The viewfinder is tinted in yellow and has parallax correction marks. What shows that this camera was intended for a popular use is that the technical indications of speed and aperture are shown on one side of the lens but you have these 4 nice weather icons on the top of the lens (for the aperture) and on the other side the DIN/ASA settings (for the speed), that means that you don't need a specific knowledge to choose your speed & aperture, just follow the weather icons and your film speed.... And you can use a flash with synchro at 1/30.
Very simple indeed and ok to make pictures even if the speed is a bit limited and that the light weight of the cam shows that there is mostly plastic... but the whole construction is fine, the setting rings make a precise "click" on each position as well as the shutter (shutter button on the right side of the lens like all Beirette 35 mm cameras).
A nice little cam, easy to use and creating nice shots. Have a look at some pictures made with the Beroquick (most of the shots were made in double exposition for a film exchange with superlighter a great lomographer and camera fan who has a Beirette VSN as well, and we made this film swapping with the same camera...)















If you want to know more have a look at this very complete site (in german) about the Beier factory and the Beirette or Beroquick cameras. You can also have a overview on Beier cameras on the Lippisches Kamera Museum site.

Magic DDR Cameras #2: Exa 1a

Second "magic DDR" camera of my collection: the Exa 1a constructed by the Ihagee Kamera Werk from Dresden 1964. This company was founded 1912 and produced essentially the Exakta and Exa camera series. The Exa was conceived in the mid-50's as a simple camera evolution of the Exakta to have a larger public access. And it's true that the Exa is a very simple camera, no particular technical specification and very easy to use for everybody. A soft shaped round body (typical of the Exa/Exacta cameras), and a nice design made this camera very seductive for my eyes when I discovered it. Have a look at it:



It's a typical SLR camera with a vertical mirror viewfinder coupled to the shutter. If you don't advance the film, you'll see nothing in the mirror. The image of the viewfinder is very clear and great enough to have a idea about what you're shooting. In case of more precision for the focusing, you can unlock a little magnifying glass attached to the viewfinder.
The lens is a Meyer-Görlitz Domiplan 2,8/50, but you can also find it with a Meyer-Görlitz Primagon 4,5/35 and other lenses with Exakta bayonet. The position of the shutter is unusual, because it's on the upper left side of the lens, and the Domiplan lens has a shutter button corresponding to the camera shutter, coupled to the diaphragm: that means that if you push half this shutter, you can "previsualize" the image with the selected aperture... depending of course of the film sensibility you use... Even if the speeds of the camera are limited (B, 1/30, 1/60, 1/125 and 1/175) I really find this cam very comfortable to use. I really like the viewfinder looking from above, it's another kind of shooting and people don't notice if you're taking pictures of them.... And it's very easy to shoot up the sky!
Well, a solid and simple camera with great optic qualities (like almost all DDR cameras...) and a real pleasure to walk around with. Now, have a look at some shots made with this camera:












If you want to know more have a look at retrography.com, the Lyndrup camera collection or the Lippisches Kameramuseum and this very complete site with links about the Exakta cameras.

Magic DDR Cameras #1: Werra

I will try to begin a little review in my blog about my personal camera collection, and, amongst them, there are a few wonderfull DDR cameras. The first one I will talk about is the WERRA camera. The one I have is a Werra Automat, built from 1961 to 1964 by the VEB Carl Zeiss Jena, with a beautiful Tessar 2,8/50 lens. I don't going to make a whole technical review, but just want to say how I was impressed when I first saw this camera on a website dedicated to DDR design (Industrieform-DDR) and just wanted one as quick as possible. I found it easily on ebay..... Here is the cam:




I immediately had a good feeling with this cam, very easy to use, the lightmeter is very precise and time & aperture settings are quick to set while looking through the viewfinder and find the right exposition. A little bit heavy, but you really have the impression to have a solid camera in your hands, and it's also a very subtil design.... doesn't look like the usual 60's cameras...
But enough talked, let's have a look at some shots I made with this camera:











And if you want to know more about Werra cameras, have a look at this very interesting site (in french): http://pagesperso-orange.fr/Krg/werra/werra.htm or this one (with other links, in english): http://www.camerapedia.org/wiki/Werra